Sunday, October 23, 2011

Lowndes County Freedom Organization

Lowndes County Freedom Organization:
From Black Past.org. An Online Reference Guide to African American History, Quintard Taylor, Scott and Dorothy Bullitt Professor of American History University of Washington, Seattle, "Lowndes County Freedom Organization"

The Lowndes County Freedom Organization (LCFO), also known as the Black Panther Party, was started in 1965 under the direction of Student Non-Violent Coordinating Committee (SNCC) activist Stokely Carmichael. In 1965, Lowndes County in Alabama was 80% black but not a single black citizen was registered to vote. Carmichael arrived in the county to organize a voter registration project and from this came the LCFO. Party members adopted the black panther as their symbol for their independent political organization.

Jeremiah Day, Lowndes County Freedom Organization Headquarters, Alabama

More than half of the African American population in Lowndes County lived below the poverty line. Moreover, white supremacists had a long history of extreme violence towards anyone who attempted to vote or otherwise challenge all-white rule. Lowndes County Freedom Organization members didn’t simply want to vote to place other white candidates in office. Instead they wanted to be able to vote for their own candidates.

The Lowndes County Freedom Organization

White voters in Lowndes County reacted strongly to the LCFO. In many instances, whites evicted their sharecroppers, leaving many blacks homeless and unemployed. Whites also refused to serve known LCFO members in stores and restaurants. Small riots broke out with the local police often firing only on blacks during these confrontations.


However, the LCFO pushed forward and continued to organize and register voters. In 1966, several LFCO candidates ran for office in the general election but failed to win. While their attempt was unsuccessful, the LCFO continued to fight and their goal and motto of “black power” spread outside of Alabama.

The tent headquarters of the Lowndes County Freedom Organization

The movement spread all over the nation. Two black Californians, Huey P. Newton and Bobby Seale, asked for permission to use the black panther emblem that the Lowndes County Freedom Organization had adopted, for their newly formed Black Panther Party. The Oakland-based Black Panther Party became a much more prominent organization than the LCFO. Thus few people remember the origins of this powerful symbol with impoverished African Americans in a central Alabama County. (source: Black Past.org)

The Negro Soldier

The Negro Soldier:


The Negro Soldier

Spanish American War the Philippines and Filipino Genocide

Spanish American War the Philippines and Filipino Genocide:

During the U.S. war in the Philippines between 1899 and 1904 (which grew out of the Spanish-American War that had erupted in 1898), ordinary American soldiers shared the nationalist zeal of their commanders and pursued the Filipino “enemy” with brutality and sometimes outright lawlessness. Racism, which flourished in the United States in this period, led American soldiers to repeatedly assert their desire “to get at the niggers.” An anti-imperialist movement, which rejected annexation by the United States of former Spanish colonies like Puerto Rico and the Philippines, attempted to build opposition at home to the increasingly brutal war.


Although few soldiers joined the anti-imperialist cause, their statements did sometimes provide ammunition for the opponents of annexation and war. In 1899, the Anti-Imperialist League published a pamphlet of Soldiers Letters, with the provocative subtitle: “Being Materials for a History of a War of Criminal Aggression.”

ph30038l

Historian Jim Zwick notes that the publication “was immediately controversial. Supporters of the war discounted the accounts of atrocities as the boasting of soldiers wanting to impress their friends and families at home or, because the identities of some of the writers were withheld from publication, as outright fabrications.” But the brutal portrayal of the war that is found in these letters (excerpts from twenty-seven of them are included here) is supported in other accounts.



Spanish American War the Philippines and Filipino Genocide1


Spanish American War the Philippines and Filipino Genocide 2


Spanish American War the Philippines and Filipino Genocide 3


Spanish American War the Philippines and Filipino Genocide 4


Spanish American War the Philippines and Filipino Genocide 5

Caged In The Human Zoo

Caged In The Human Zoo:

From the Daily Mail, "Caged in the human zoo: The shocking story of the young pygmy warrior put on show in a monkey house - and how he fuelled Hitler's twisted beliefs," by Beth Hale, 31 October 2009


His ebony skin stood out in sharp contrast to the white crowd pressing to get a better view.
The young African boy bared his teeth at the men and women staring at him through the bars. They were sharpened into dagger-like points, making him appear all the more barbaric to the ignorant hordes.

Above the cage hung a sign proclaiming: 'The Missing Link.' A baby chimp sat disconsolately at the bottom of the enclosure, a single companion to the boy.

The year was 1906. This was a pygmy, brought to America as a novelty to be put on display in the monkey house.

The New York Times reported: 'There were 40,000 visitors to the park on Sunday. Nearly every man, woman and child of this crowd made for the monkey house to see the star attraction in the park - the wild man from Africa.

'They chased him about the grounds all day, howling, jeering, and yelling. Some of them poked him in the ribs, others tripped him up, all laughed at him.'

Suddenly, the boy turned. Taking the bow and arrow given to him as an ethnic accessory, he shot at the gawpers. His arrow did no harm, but he did scare the life out of the onlookers.
This was Ota Benga, a pygmy, brought from the Congo and put on display in a zoo as an example of what scientists at the time proclaimed to be an evolutionary inferior race.


His story would divide a nation, and is now told for the first time in a new documentary, The Human Zoo.

The programme lifts the lid on a dark period in history, where 'natives' were paraded as exhibits, fueling the spread of white supremacism and even contributing to the rise of Nazism.

Tragically, Benga became the victim of one of the most awful acts of exploitation ever seen and died a shadow of the proud young tribesman who arrived in America.

So just who was he, and how did this grotesque experiment help shape the 20th century view of race?

A hundred years ago, before television and mass tourism, a handful of enterprising adventurers, anthropologists and businessman decided to bring the far-flung glories of the world to life in one place.

Huge fairs were held in Paris, London and America, exhibiting everything from Italian gondolas to African elephants.

Having promised the world, there was pressure to deliver: people were the next quarry.
In 1904, the showman anthropologist William McGee conceived the idea of a human zoo, to be held in St Louis in the U.S. state of Missouri.


It was designed to be one of the largest scientific experiments ever undertaken and would be spectacular public entertainment.

McGee wanted the tallest people in the world, veritable giants from Patagonia, at the tip of South America. He wanted the Ainu, who lived on an island north of Japan and were supposedly the hairiest humans. He placed an order for 300 Filipinos - there is no record of why he wanted so many.

His grandson, Phillips Verner Bradford, says: 'If you told him that a place was dangerous, he'd say: "I want to go there!" He was that sort of guy.'

Verner took a boat from New York to London, down the European coast and around Africa to the Congo River.

Bradford says: 'He made his way up the Congo River with steamers as far as they would go. Once he arrived at the great waterfalls, he had to hire a crew of natives.'

They encountered crocodiles and hippopotamuses, and deadly whirlpools that could sink a boat.
Eventually, Verner made it into the jungle. He blithely walked into a village of cannibals, and found that they had captured a rival tribe who were being held in cages, ready to be eaten.

To his delight, the prisoners were pygmies, or Mbuti - just what he was looking for. He began negotiating. Talking to the pygmies in their native Chiluba, he established that they would rather be taken to America than eaten. He bought six pygmies from their captors for a roll of brass wire and some salt.


One pygmy stood out. He was Ota. Photos of him taken in the Congo show a playful, chubby young man, a broad smile revealing his sharpened teeth, which were filed in his youth.

He looks healthy, spirited and full of life, standing around 4ft 8in tall.

He had never seen a white man before. Verner realised that he had a hugely marketable proposition on his hands, and made the return trip across the Atlantic with his human treasure.
For their part, the pygmies were intrigued by everything they saw and were full of questions: how did the boat work? Was there a cage of hippopotamuses down beneath pedaling it along? Verner showed them how the steam engine functioned.

Docking at New Orleans in June 1904, the Africans caught their first glimpse of America. They were stunned by the tall buildings and wide streets.

The six pygmies were sent to St Louis by rail. There, they became McGee's most important exhibits, the centerpiece of the St Louis World Fair, feted by society and academics alike.

Adverts proclaimed: 'They live in forests, they are extremely shy. They eat the flesh of wild animals killed with poisoned arrows. They are cruel, finding delight in torturing animals.
'They have long heads, long narrow faces and little red eyes, set close together like those of ferrets. Their bodies are exceptionally hairy.


'A pygmy has been known to eat 60 bananas at one meal, in addition to other food, and then ask for more.

'They seem to be controlled by an impulse that makes them delight in wickedness. If caught young, they are said to make excellent servants.'

He wanted what he considered the most primitive American Indian tribe, the Cocopah in Mexico. He asked for Eskimos.

But most of all, he wanted the smallest people in the world. He needed pygmies. He had heard that they were very short and very black, and he had to have one.

Explorer Samuel Phillips Verner was dispatched by McGee to the Belgian Congo with a shopping list.

It read: 'One pygmy patriarch or chief. One adult woman, preferably his wife. One adult man, preferably his son. One adult woman, the wife of the last or daughter of the first. One female youth unmarried. Two infants. A priestess and a priest, or medicine doctors, preferably old. All of the above to be pygmies.'


Duly detailed, Verner set off for deepest Africa. He knew that this operation could be the making of him, putting him in the same league as Henry Stanley and Dr David Livingstone.

As the sales pitch shows, the human zoo played into the hands of white supremacists, teaching the public that there was a hierarchy of races, with the white man at the top and all others beneath.


McGee himself, in his book The Trend Of Human Progress, published in 1899, wrote: 'Those who know the races realise that the average white man is stronger of limb, fleeter of foot, clearer of eye, than the average yellow or red or black.'

Bastardising Darwin's theory of evolution, McGee saw each race as a stage in human evolution - with pygmies the least evolved of the species. With his rudimentary Victorian understanding of science, he believed they were the living missing link between apes and humans.

The human zoo was a fantastic success - and widely copied. Dr Sadiah Qureshi, a historian at the University of Cambridge, says: 'Millions of people went to see these shows at their peak. Originally you would get a show in a local theatre. By the late 19th century you would see hundreds, if not a couple of thousand people living on site, eating and on constant display.'
Indeed, some years later, in 1924, King George V and Queen Mary inspected the live exhibits at the British Empire Exhibition, at Wembley. Some Europeans' curiosity knew no bounds, however.


Qureshi says: 'The 1899 exhibition Savage South Africa held at Earl's Court in London caused quite a stir. At one point women were banned from going inside because they had supposedly been touching the natives.' For almost a year, Ota and the other pygmies lived in America as human exhibits. They were made to build native houses, perform traditional dance ceremonies, live partially naked and cook authentic food.

Ota was described in the press as 'a dwarfy, black specimen of sad-eyed humanity'. With his filed tribal teeth, he was the most celebrated pygmy and dubbed 'Lord of the savage world'. He posed for photographs for 25 cents.

In 1905, after they had been viewed by a total of 20 million people, Verner took the pygmies home to the Congo.

Ota had planned to rejoin his tribe - but discovered that they had been entirely wiped out by Belgian soldiers. He married a girl from the nearby Batwa tribe, and appeared to settle back into life in Africa.

Then his wife was bitten by a poisonous snake and died. The Batwa rejected him, believing he was cursed and responsible for the young woman's death. Ota was cast adrift, a stranger in his own land.

He begged his friend Verner to take him back to America. Verner was reluctant, but eventually acquiesced, taking him to New York.

The pair shared the 3,000-mile sea voyage with crates of live animals, parrots, monkeys, snakes and other exotic booty, which Verner planned to sell in America. On the ship, Ota discovered cigarettes and drink.

Arriving in New York, Verner - who had business to do - bade him farewell, arranging accommodation in a spare room - this time he was not on show - at the American Museum of Natural History. There, he thought Ota would be safe.

Soon, however, he came to the attention of William Hornaday, a conservationist and director of the Bronx Zoo.

Collaborating with one of America's most notorious racists, Madison Grant, he conceived a plan.
Grant wanted to promote 'scientific racism', talking in terms of 'purity of type', and the survival of the white master race.

In 1930, after his work The Passing Of The Great Race was translated into German, Grant received a letter from an aspiring politician, saying 'your book is my bible'.

The man was Adolf Hitler. He would indeed use 'scientific racism' as the foundation for the Third Reich, giving academic grounding to the Holocaust.


Together, Hornaday and Grant offered to take charge of Ota Benga, who initially believed he would be looking after the Bronx Zoo's elephants.

In fact, he was going to be put on public display as a living example of 'racial inferiority'. Immediately, the exhibition prompted criticism. The New York Times reported on September 9, 1906: 'The exhibition was that of a human being in a monkey cage. A human being. In a monkey cage.


'The human being happened to be a Bushman, one of a race that scientists do not rate high in the human scale, but to the average nonscientific person in the crowd of sightseers there was something about the display that was unpleasant.

'It is probably a good thing that Benga doesn't think very deeply. If he did it isn't likely that he was very proud of himself when he woke in the morning and found himself under the same roof with the orang-utans and monkeys, for that is where he really is.'


The exhibition was a sensation. On a single day, 40,000 people arrived to see Ota and his chimp. The show lasted only two weeks, however, due to a public outcry, and human zoos as a phenomenon died out by the Forties.

So what became of Ota Benga? After he was removed from the Bronx Zoo, there was great debate regarding his fate. African-American church ministers insisted he be released - not for his comfort, but because they wanted to convert the pygmy to Christianity.

He was eventually placed in an orphanage for black children, the Howard Colored Orphan Asylum, to be 'civilised'. He was dressed in Western clothes and taught how to eat, talk and behave like an American.

He had his pointed teeth capped and attended a Baptist seminary, where he started to study English.

He was kept out of the public eye for four years. Eventually, he moved from New York to the backwater town of Lynchburg, Virginia, where he became a local curiosity and was known as Otto Bingo.

Forevermore haunted by his time in the monkey cage, he would repeatedly slap his chest, declaring: 'I am a man. I am a man.'


He began to save money to return to the Congo, working in a tobacco factory. With the outbreak of World War I, this became impossible and Ota sunk into depression.

He never did make it home. One evening, he went into a barn behind the village general store. He chipped off the caps hiding his teeth, restoring them to their filed-down glory, lit a small ceremonial campfire, and shot himself in the head, dying ten years after being put on display at the Bronx zoo. He was 32 years old.

His story now bears testament to the ignorance of those who believed themselves superior to him.
He was buried in an unmarked grave, but he left his mark on the world, exposing as moral pygmies the lesser men who would cage a human.

As part of Race: Science's Last Taboo, a new season of science documentaries on Channel 4, The Human Zoo: Science's Dirty Secret will be broadcast on Sunday at 7pm.


(source: http://www.dailymail.co.uk/news/article-1224189/Caged-human-zoo-The-shocking-story-young-pygmy-warrior-monkey-house--fuelled-Hitlers-twisted-beliefs.html#ixzz1bLT8fzSv)


Human Zoos - Dirty Secrets of Science pt/1 Human Zoos - Dirty Secrets of Science pt/2 Human Zoos - Dirty Secrets of Science pt/3 Human Zoos - Dirty Secrets of Science pt/4

Wednesday, October 19, 2011

Thomas Sankara - the Upright Man

Various Nubian artifacts, pyramids, and people.

Various Nubian artifacts, pyramids, and people.



















apademak:



Various Nubian artifacts, pyramids, and people.

Kingdom of Aksum ( Eritrea)Aksum is located southeast of Kush...

Kingdom of Aksum ( Eritrea)
Aksum is located southeast of Kush...
:

Kingdom of Aksum ( Eritrea)


Aksum is located southeast of Kush on rugged land on the Red Sea and Indian Ocean, very close to the Mediterranean Sea. It is located on modern-day countries, Eritrea and Ethiopia.


Aksum traded many necessities, but also sold some very exotic luxuries in exchange for things not found or made in Aksum.


Aksumites believed in one god Mahrem, but they also worshipped spirits, honored dead ancestors, and offered sacrifices.


Most of the Aksumites worked as farmers who brought mountain water to the working fields. The main objective of their life was trading.


Other Aksumites worked as architects and builders. They built monuments, thrones, and several pillars.

Sunday, October 16, 2011

The Negro Question By Albert Einstein


I am writing as one who has lived among you in America only a little more than ten years. And I am writing seriously and warningly. Many readers may ask:

"What right has he to speak about things which concern us alone, and which no newcomer should touch?"

I do not think such a standpoint is justified. One who has grown up in an environment takes much for granted. On the other hand, one who has come to this country as a mature person may have a keen eye for everything peculiar and characteristic. I believe he should speak out freely on what he sees and feels, for by so doing he may perhaps prove himself useful.

What soon makes the new arrival devoted to this country is the democratic trait among the people. I am not thinking here so much of the democratic political constitution of this country, however highly it must be praised. I am thinking of the relationship between individual people and of the attitude they maintain toward one another.

In the United States everyone feels assured of his worth as an individual. No one humbles himself before another person or class. Even the great difference in wealth, the superior power of a few, cannot undermine this healthy self-confidence and natural respect for the dignity of one's fellow-man.

There is, however, a somber point in the social outlook of Americans. Their sense of equality and human dignity is mainly limited to men of white skins. Even among these there are prejudices of which I as a Jew am clearly conscious; but they are unimportant in comparison with the attitude of the "Whites" toward their fellow-citizens of darker complexion, particularly toward Negroes. The more I feel an American, the more this situation pains me. I can escape the feeling of complicity in it only by speaking out.

Many a sincere person will answer: "Our attitude towards Negroes is the result of unfavorable experiences which we have had by living side by side with Negroes in this country. They are not our equals in intelligence, sense of responsibility, reliability."

I am firmly convinced that whoever believes this suffers from a fatal misconception. Your ancestors dragged these black people from their homes by force; and in the white man's quest for wealth and an easy life they have been ruthlessly suppressed and exploited, degraded into slavery. The modern prejudice against Negroes is the result of the desire to maintain this unworthy condition.

The ancient Greeks also had slaves. They were not Negroes but white men who had been taken captive in war. There could be no talk of racial differences. And yet Aristotle, one of the great Greek philosophers, declared slaves inferior beings who were justly subdued and deprived of their liberty. It is clear that he was enmeshed in a traditional prejudice from which, despite his extraordinary intellect, he could not free himself.

Former Vice President Henry Wallace, Albert Einstein, Lewis L. Wallace of Princeton University, and actor Paul Robeson meeting in Princeton on September 21, 1947. (Photo: Princeton University)

A large part of our attitude toward things is conditioned by opinions and emotions which we unconsciously absorb as children from our environment. In other words, it is tradition—besides inherited aptitudes and qualities—which makes us what we are. We but rarely reflect how relatively small as compared with the powerful influence of tradition is the influence of our conscious thought upon our conduct and convictions.

It would be foolish to despise tradition. But with our growing self-consciousness and increasing intelligence we must begin to control tradition and assume a critical attitude toward it, if human relations are ever to change for the better. We must try to recognize what in our accepted tradition is damaging to our fate and dignity—and shape our lives accordingly.


I believe that whoever tries to think things through honestly will soon recognize how unworthy and even fatal is the traditional bias against Negroes.

What, however, can the man of good will do to combat this deeply rooted prejudice? He must have the courage to set an example by word and deed, and must watch lest his children become influenced by this racial bias.

I do not believe there is a way in which this deeply entrenched evil can be quickly healed. But until this goal is reached there is no greater satisfaction for a just and well-meaning person than the knowledge that he has devoted his best energies to the service of the good cause. --Albert Einstein




Nell Painter THE HISTORY OF WHITE PEOPLE

Nell Painter THE HISTORY OF WHITE PEOPLE:
Nell Painter

From the New York Times written by Linda Gordon: Nell Irvin Painter’s title, “The History of White People,” is a provocation in several ways: it’s monumental in sweep, and its absurd grandiosity should call to mind the fact that writing a “History of Black People” might seem perfectly reasonable to white people. But the title is literally accurate, because the book traces characterizations of the lighter-skinned people we call white today, starting with the ancient Scythians. For those who have not yet registered how much these characterizations have changed, let me assure you that sensory observation was not the basis of racial nomenclature.

Some ancient descriptions did note color, as when the ancient Greeks recognized that their “barbaric” northern neighbors, Scythians and Celts, had lighter skin than Greeks considered normal. Most ancient peoples defined population differences culturally, not physically, and often regarded lighter people as less civilized. Centuries later, European travel writers regarded the light-skinned Circassians, a k a Caucasians, as people best fit only for slavery, yet at the same time labeled Circassian slave women the epitome of beauty. Exoticizing and sexualizing women of allegedly inferior “races” has a long and continuous history in racial thought; it’s just that today they are usually darker-skinned women.

Ellis Island


“Whiteness studies” have so proliferated in the last two decades that historians might be forgiven a yawn in response to being told that racial divisions are fundamentally arbitrary, and that deciding who is white has been not only fluid but also heavily influenced by class and culture. In some Latin American countries, for example, the term blanquearse, to bleach oneself, is used to mean moving upward in class status. But this concept — the social and cultural construction of race over time — remains harder for many people to understand than, say, the notion that gender is a social and cultural construction, unlike sex. As recently as 10 years ago, some of my undergraduate students at the University of Wisconsin heard my explanations of critical race theory as a denial of observable physical differences.

I wish I had had this book to offer them. Painter, a renowned historian recently retired from Princeton, has written an unusual study: an intellectual history, with occasional excursions to examine vernacular usage, for popular audiences. It has much to teach everyone, including whiteness experts, but it is accessible and breezy, its coverage broad and therefore necessarily superficial.


The modern intellectual history of whiteness began among the 18th-century German scholars who invented racial “science.” Johann Joachim Winckelmann made the ancient Greeks his models of beauty by imagining them white-skinned; he may even have suppressed his own (correct) suspicion that their statues, though copied by the Romans in white marble, had originally been painted. The Dutchman Petrus Camper calculated the proportions and angles of the ideal face and skull, and produced a scale that awarded a perfect rating to the head of a Greek god and ranked Europeans as the runners-up, earning 80 out of 100. The Englishman Charles White collected skulls that he arranged from lowest to highest degree of perfection. He did not think he was seeing the gradual improvement of the human species, but assumed rather the polygenesis theory: the different races arose from separate divine creations and were designed with a range of quality.

Brigham's bar graph of mental test results, in Carl C. Brigham, A Study of American Intelligence(1923)

The modern concept of a Caucasian race, which students my age were taught in school, came from Johann Friedrich Blumenbach of Göttingen, the most influential of this generation of race scholars. Switching from skulls to skin, he divided humans into five races by color — white, yellow, copper, tawny, and tawny-black to jet-black — but he ascribed these differences to climate. Still convinced that people of the Caucasus were the paragons of beauty, he placed residents of North Africa and India in the Caucasian category, sliding into a linguistic analysis based on the common derivation of Indo-European languages. That category, Painter notes, soon slipped free of any geographic or linguistic moorings and became a quasi-scientific term for a race known as “white.”

Some great American heroes, notably Thomas Jefferson and Ralph Waldo Emerson, absorbed Blumenbach’s influence but relabeled the categories of white superiority. They adopted the Saxons as their ideal, imagining Americans as direct and unalloyed descendants of the English, later including the Germans. In general, Western labels for racial superiority moved thus: Caucasian → Saxon → Teutonic → Nordic → Aryan → white/Anglo.


The spread of evolutionary theory required a series of theoretical shifts, to cope with changing understandings of what is heritable. When hereditary thought produced eugenics, the effort to breed superior human beings, it relied mostly on inaccurate genetics. Nevertheless, eugenic “science” became authoritative from the late 19th century through the 1930s. Eugenics gave rise to laws in at least 30 states authorizing forced sterilization of the ostensibly feeble-minded and the hereditarily criminal. Painter cites an estimate of 65,000 sterilized against their will by 1968, after which a combined feminist and civil rights campaign succeeded in radically restricting forced sterilization. While blacks and American Indians were disproportionately victimized, intelligence testing added many immigrants and others of “inferior stock,” predominantly Appalachian whites, to the rolls of the surgically sterilized.


In the long run, the project of measuring “intelligence” probably did more than eugenics to stigmatize and hold back the nonwhite. Researchers gave I.Q. tests to 1,750,000 recruits in World War I and found that the average mental age, for those 18 and over, was 13.08 years. That experiment in mass testing failed owing to the Army’s insistence that even the lowest ranked usually became model soldiers. But I.Q. testing achieved success in driving the anti-immigration movement. The tests allowed calibrated rankings of Americans of different ancestries — the English at the top, Poles on the bottom. Returning to head measurements, other researchers computed with new categories the proportion of different “blood” in people of different races: Belgians were 60 percent Nordic (the superior European race) and 40 percent Alpine, while the Irish were 30 percent Nordic and 70 percent Mediterranean (the inferior European race). Sometimes politics produced immediate changes in these supposedly objective findings: World War I caused the downgrading of Germans from heavily Nordic to heavily Alpine.

THE HISTORY OF WHITE PEOPLE

Painter points out, but without adequate discussion, that the adoration of whiteness became particularly problematic for women, as pale blue-eyed blondes became, like so many unattainable desires, a reminder of what was second-class about the rest of us. Among the painfully comic absurdities that racial science produced was the “beauty map” constructed by Francis Galton around the turn of the 20th century: he classified people as good, medium or bad; he categorized those he saw by using pushpins and thus demonstrated that London ranked highest and Aberdeen lowest in average beauty.

Rankings of intelligence and beauty supported escalating anti-Catholicism and anti-Semitism in early-20th-century America. Both prejudices racialized non-Protestant groups. But Painter misses some crucial regional differences. While Jews and Italians were nonwhite in the East, they had long been white in San Francisco, where the racial “inferiors” were the Chinese. Although the United States census categorized Mexican-Americans as white through 1930, census enumerators in the Southwest, working from a different racial understanding, ignored those instructions and marked them “M” for Mexican.


In the same period, anarchist or socialist beliefs became a sign of racial inferiority, a premise strengthened by the presence of many immigrants and Jews among early-20th-century radicals. Whiteness thus became a method of stigmatizing dissenting ideas, a marker of ideological respectability; Painter should have investigated this phenomenon further. Also missing from the book is an analysis of the all-important question: Who benefits and how from the imprimatur of whiteness? Political elites and employers of low-wage labor, to choose just two groups, actively policed the boundaries of whiteness.

But I cannot fault Nell Painter’s choices — omissions to keep a book widely readable. Often, scholarly interpretation is transmitted through textbooks that oversimplify and even bore their readers with vague generalities. Far better for a large audience to learn about whiteness from a distinguished scholar in an insightful and lively exposition.

(source: New York Times written by Linda Gordon)

Nell Irvin Painter: 2010 National Book Festival